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motley things
chibird:

Because I think we could all use a sunshine bunny in our lives. >u<

chibird:

Because I think we could all use a sunshine bunny in our lives. >u<

chibird:

Because I think we could all use a sunshine bunny in our lives. &gt;u&lt;

my sunshine is gone..

chibird:

Because I think we could all use a sunshine bunny in our lives. >u<

my sunshine is gone..

chibird:

Life is tough, but every struggle makes you stronger.

chibird:

Life is tough, but every struggle makes you stronger.

chibird:

How do you feel today?
I’m a mix of tired and sick, but  hopefully I’ll be able to finish a lot of things this weekend (always optimistic… I’ll tell you how it goes Sunday night, haha).

chibird:

How do you feel today?

I’m a mix of tired and sick, but  hopefully I’ll be able to finish a lot of things this weekend (always optimistic… I’ll tell you how it goes Sunday night, haha).

chibird:

How do you feel today?
I’m a mix of tired and sick, but  hopefully I’ll be able to finish a lot of things this weekend (always optimistic… I’ll tell you how it goes Sunday night, haha).

chibird:

How do you feel today?

I’m a mix of tired and sick, but  hopefully I’ll be able to finish a lot of things this weekend (always optimistic… I’ll tell you how it goes Sunday night, haha).

theatlantic:

Native Americans: Portraits From a Century Ago

In the early 1900s, Seattle-based photographer Edward S. Curtis embarked on a project of epic scale, to travel the western United States and document the lives of Native Americans still untouched by Western society. Curtis secured funding from J.P. Morgan, and visited more than 80 tribes over the next 20 years, taking more than 40,000 photographs, 10,000 wax cylinder recordings, and huge volumes of notes and sketches. The end result was a 20-volume set of books illustrated with nearly 2,000 photographs, titled “The North American Indian.” In the hundred-plus years since the first volume was published, Curtis’s depictions have been both praised and criticized. The sheer documentary value of such a huge and thorough project has been celebrated, while critics of the photography have objected to a perpetuation of the myth of the “noble savage” in stage-managed portraits. Step back now, into the early 20th century, and let Edward Curtis show you just a few of the thousands of faces he viewed through his lens. 

See more. [Images: Library of Congress/Edward S. Curtis]


Miu Miu, Spring 2010

Miu Miu, Spring 2010

ririmoy:

beautiful | Tumblr on We Heart It - http://weheartit.com/entry/57879630/via/ririmoy

ririmoy:

beautiful | Tumblr on We Heart It - http://weheartit.com/entry/57879630/via/ririmoy

chibird:

Optimism doesn’t quite work out every day… but hey, a bad start can also turn into a great day, so it works both ways. c:

chibird:

Optimism doesn’t quite work out every day… but hey, a bad start can also turn into a great day, so it works both ways. c: